Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

Roland des Roncesvalles is a legendary knight from the age of chivalry in France. In the 11th-century epic La Chanson de Roland, he is depicted as a key figure in halting the advance of the Arabs into France. In this story, the 10th-century legend is staged by a group of 12th-century pilgrims using the 11th-century poem. Their acting is interrupted by a violent peasant uprising, which kills many of the pilgrims. However, one of the survivors, is converted to the peasant cause and later speaks out in favor of more just treatment for the downtrodden.

A quiz show themed around car racing, in which the young contestants sit in cars and gain mileage by answering general knowledge questions.

At the end of the 20th century, the son of a distinguished family, Sosiko Cholokashvili, became interested in cinematography, a field unknown to the public. Despite his inexperience, financial difficulties, and disappointment, one of the first enthusiasts of Georgian cinema recorded many shots depicting the appearance and existence of old Tbilisi on tape.

A man prepares an old ritual in a temple abandoned by its followers.

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Tim Heidecker reviews the latest movies in theaters with a special guest.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

Re-edited and re-scored footage from public domain films, overdubbed with performances of contemporary actors to tell new, wholly original stories.

Re-edited and re-scored footage from public domain films, overdubbed with performances of contemporary actors to tell new, wholly original stories.